Sunday, May 10, 2015

Boneless, Skinless

I had no plans to write anything for today. Honestly, I don't even know why I'm awake. Sleep has not been coming easily for me. I didn't fall asleep until after midnight last night, and I woke up this morning, spontaneously, just before six. What in the actual fuck.

So, I'm very tired, and I have a lot of things that I actually need to do, but for some reason the compulsion to just... just write and sort things out on "paper" is taking priority. Please bear with me while I fumble towards coherence.

I do not like my mom. She is abrasive. She is myopic. She is politically aligned with people who casually legislate the misery of underserved peoples, with racially-driven drug laws, with grossly restrictive abortion laws, with debate about bodies that they do not understand or care about, with actual, "serious" discussion about which bathroom girls like me can use. She ignored me when I was a child, unless it was to abuse me. Usually verbally, emotionally. Sometimes physically.

My mother saw me then (and now, I imagine) as a mistake. She has always had a plan for every aspect of her life, and to the extent that she's made everyone around her miserable, it's been greatly influenced by her inability to adapt and deviate from plans. To try to force reality to match her plans, rather than adjusting her plans to deal with reality. This is why it does not surprise me that she is relatively far to the right, politically. She kind of is the Republican party, or at least their faux-inclusive version of themselves.

My mother would never acknowledge or admit to it, I don't think, but she carries no small amount of self-loathing. She was born and raised in Japan, and emigrated to America to be with my dad after they'd gotten married. I think. I don't actually know the story, I kind of don't care. She both loves and hates her ethnicity. She clings to the happy things she remembers from her childhood, like the yakimo vendors crying in the streets, and rejects the rest. She never taught us Japanese. It was like she came from nowhere. Her father was an alcoholic, a sort of by-the-numbers model of an alcoholic family man in a strictly defined culture. I had the misfortune of meeting him a couple times.

We were visiting Japan once, when I was in fifth grade or so. It was over winter holidays, so I'd been given some money by friends or relatives of that side of my family (I never did learn which). Being about ten years old, with some money, in a country full of really fantastic robot and sci-fi themed toys when I'd been raised and treated like a boy my entire life left me in a pretty happy place, for once. I bought a little die-cast robot figure, a better quality toy from a more interesting program than what I was used to in the US. He saw me playing with it and chastised me for not saving that money for my future. Me, a ten-year-old child who had few friends, for whom play was a vital escape.

Don't get me wrong, it's reasonable advice. Someone gives you money, maybe you should, I don't know, not go spend it all right away on toys. And to be fair, I still struggle with this. But I don't think that I struggled with it much more than your average ten-year-old struggles with it, at the time, because I was fucking ten.

My mother is not a fan of alcohol. She saw her father getting angry, getting drunk, and beating up his family, and thought, "the real problem with this whole process is the part where he drinks." She seemed philosophically okay with the abuse stuff, though. I mean. She rejected the use of alcohol, but was really pretty completely on board with screaming at and hitting her children because of her absolute inability to cope with life in anything approaching a truly adult fashion.

One of my mother's life plans was to have two children. A son, first (check), and a daughter, next (che— wait, what?). Bearing what she thought was a son when she had decided that nothing but a daughter would do put her in the uncomfortable position of reality not acceding to her wishes, a position she found herself in often. One she has never done well in. The irony, of course, is that if she had actually just accepted her child as they were, she would have found a daughter. Not the daughter she deserved but the daughter she needed. Nothing less than a princess. Shining.

My mother grew up somewhat poor, which filled her with a desperate fear of poverty. The relentlessness with which she pursues all things (even very wrong things, sadly) served her very well in this aspect. She is extraordinarily driven. Precise, mechanical. Extremely intelligent, and yet almost laughably ignorant. She has made a lot of money, and knows nothing about how the world actually is. (God, she really is the Republican party, isn't she.) She thinks a great deal, processes massive volumes of numerical data with really pretty remarkable insight. She devours these problems like a combine built to efficiently dismantle them. But she does not understand how to human.

My mother's relationship with my dad, like her relationship with basically the entire world, was (and by all accounts still is) one of grotesque power dynamics, gaslighting, and manipulation. Like all truly great gaslighters, she is a victim of her own distorted vision of reality. She does not convince other people that reality is one thing, while believing it is actually something else. She legitimately believes that reality is what she says it is, and when faced with the fact that it is not, interesting-slash-fucking-awful things happen. She decides a source is trusted because they tell her things she likes to hear, and reinforce her views of reality; and once she's decided that source is trusted, they are infallible, to her. What they say, is. You get one guess what news channel she prefers.

Conflicts between my parents would boil over and explode, constantly, almost always in the same way. My mother would be angry about god-knows-what. Then something unrelated and trivial would set her off. She would start yelling and screaming, maybe throwing things, swinging a belt at her kids, kicking a bit of dog or what-have-you. She punched down, essentially. She surrounded herself with people who were weaker than her (by design, in the case of her children and husband). Everything was, and probably still is, completely black-and-white to her. Either you are some kind of transcendent being who is far above her, or you are garbage and you are wasting her time.

I spent most of my life believing I was garbage. A waste of everyone's time.

Oh, and a guy.

I think the gender revelation thing is part of why I woke up today and felt this bizarre urge to call my mom. I wanted to have a casual chat. I had no idea why in the hell I would wake up and think or feel anything remotely like that, but on further reflection, I realized that this is the first Mother's Day since I realized I was a girl. I don't know if it's the fact of my gender becoming clear to me, or just the base fact that I now know who I am, at last, or maybe even something else that I am not aware of at all, but I felt like reaching out.

I had had myself convinced, up until recently, that what I felt towards my parents now was ambivalence. That I'd finally won, because I no longer hated them. I just didn't care. I did not feel hate, which, it has been argued, is sometimes just an expression of frustrated or misplaced love. I felt nothing. But that was wrong, of course, because it turns out I feel everything.

I still have old, unpaid student loans from the mid-'90s because I felt so terribly wronged by having been compelled to sign for them. I did not want to go to college right after high school. I was not ready. My closest teacher, I was later told by my brother, had advised my parents that sending me straight to college would be disastrous. That I had to figure out who I was and what I wanted to do, and that if they compelled me to go, it would not end well. But my mom viewed him as beneath her. His advice and perspective were meaningless, because she knew best, and I would go to college right after high school, no matter that I did not know who I was (boy, did I not know who I was) or what I wanted to do in life.

I realize that this is self-destructive. I've known that for decades. I know that I'm not hurting my parents by not paying those loans, that they really probably don't even know that I still haven't. But on some level, I'm still waiting for them to notice. I'm still standing here, defiant, angry that they never bothered to learn who their daughter was, that they compelled her do something she was absolutely not equipped to do, stuck her with the bill, and then hid behind the idea that an 18-year-old is an adult who does not answer to their parents in any way, and cannot be meaningfully influenced by them. I don't even want their money, anymore. I mean I do, but it's not the point. I want them to apologize. I want to see that they genuinely regret all of the horrible ways they treated me, which have, to me, come to be symbolized by those old loans. Loans I signed for, so I could fail at trying to be the boy they wanted me to be.

So, I dropped out of college. I met a girl on the internet, which became sort of a sad meme in my life. I guess I did it before it was cool. I mean, I did it really terribly and without any sense of self-awareness, but I did it. A pioneer of awful things.

Anyway, the girl, Tina, was going to school in Los Angeles, while I was enrolled at the School of the Art Institute of Chicago (no relation). We spent hours and hours on IRC with each other, and physically mailed developed photographs back and forth, because it was literally faster than sending them digitally. DCC file transfers were so dodgy that we'd have to reset the transmission over and over. Mailing was slow, but we knew it would work. The first picture she ever sent me is still inside my guitar.

@theafterlifecoach, this still lives inside my guitar. 😊

A video posted by Seranine Elliot (@aggressivefrontpocket) on


Tina came out to visit me in person, and we spent a week eating shitty instant college foods and fucking our brains out. We were both shell-shocked abuse survivors, and neither of us really understood that, so we tried to be together, and, naturally, it did not work out. But since I desperately needed a feminine presence in my life, I spent hours, days, weeks, months, years... even decades, just searching for any girl who would have me.

And, like most miserable, fear-driven ostriches, I was lying to myself. What I meant by "any girl" was "any girl I find pretty enough." I wonder how much happier I could've been if I'd been able to see people, then, the way that I've started to see them now. Surprise, surprise, when someone who is not a man tries to make themselves into one, and their best guide to masculinity is pop culture, they become a pretty shitty man.

My mother had succeeded. She'd done her job. I saw men as spineless idiots who could not be trusted, who needed to be commanded, not just guided, but commanded, at every turn, by a woman. Men were violent cowards, stupid brutes who needed to be saved from themselves. I set out looking for my commander, hating myself every step of the way, setting fire to everything around me. I hated myself very thoroughly. If there was a metric by which to judge me, I judged myself, and found myself wanting. Her parenting colored everything. It colored everything black and white.

One time, I put some jelly on a piece of bread. Okay, to be fair, I've put jelly on a piece of bread lots of times, but the time I'm talking about here, I was probably... eight? Maybe seven? Four? We were still living in Wisconsin, so I was pretty young. Being a child, I made my own food in comically oversized portions. I had not really considered that an adult-sized serving was proportionally much smaller to an adult than it was to me. So this was a pretty big piece of bread. I couldn't finish it.

My mom, continuing her relentless instruction in how to not waste food, demanded that I eat nothing else until I finished that piece of bread with jelly on it. Literally, nothing. It went into the fridge. Over the next several days, it became less and less appetizing. Mold began to grow on parts of it. But I still had to finish it. I could have water, and I could have that shitty, disgusting piece of rotting food. And I could have nothing else.

Eventually, I took what was left of the sad snack that I'd triumphantly made for myself a little less than a week before, and went, sobbing, to my mother with it. I told her I was sorry that I'd wasted so much food. So much! It was a fucking piece of bread, you miserable cunt. You filled your child with a lifelong disdain for grape jelly because you saw some shit on TV about starving kids in Africa, and somehow decided that if we didn't eat every fucking thing in sight, we were really just ungrateful for our bounty.

Another time, also still in Wisconsin, I microwaved soup. In a metal pot. (I haven't done that lots of times, just the one time.) It threw sparks everywhere, made a terrible racket, and lots of noise and smoke. I stopped the microwave as soon as I saw that it was not operating the way I was used to seeing it operate, and it wasn't permanently damaged, but I did have an $0.88 can of soup base just sitting there being gross in some cold water in a pot that now smelled like burning metal.

Yeah, she made me eat that, too.

These were not important lessons being taught in a loving way to a valued child. This was a hurricane who should have never had children slamming her child into trees until they were pulped and lifeless. This was a mother destroying her child's capacity to stand up for itself. It was contributing to her child's constant misery, to the agony of being alive. I was boneless, skinless. A weak and quivering pile of impotent fury that hated itself and everything around it, because sentience meant only one thing: being aware of how awful it was to live.

My brother once told my parents that he had had a startling revelation. He had realized that there were no adults. There were just older kids. That the myth of life stages had fallen apart when he really examined it, because he had come to understand that he was still basically the same person then, at, I don't know, maybe fifteen? as he had been at five. He was still just trying to make sense of the world, and he knew more than he had known when he was younger, but he had given up on the idea of reaching a certain age, and then just "getting it," and being an adult. Or, more correctly, no longer being a child.

My brother is an incredibly brilliant man. And he has probably not said anything more insightful than this in his life since. My parents are still children. In fact, I'm older than them, now, if we are using age as a metaphor for maturity. My father has always been infantilized by my mother, and once they retired, that only got worse. My formerly liberal-leaning, gentle father is now a die-hard Fox News bobblehead, because of my mother's relentless bullying. He probably thinks he grew up and realized how the world really works, and the Koch Brothers™ of the world could not be happier.

My mother still lives in fear of the world. She lives with the same fear of the world that her father had, and that he put into her when he beat the shit out of her mother, his wife, on a regular basis. She sees the world as being full of men who need to be controlled absolutely, because a man free to become his best and truest self might go astray, and start beating up her mom again.

I do not like my mom. To be fair, I do not like much of anybody. But I've come to realize, recently, much to my boundless joy, that I love really pretty much everybody. I love to different degrees, at different intensities, but whether (and how and when) I engage with someone ends up being a matter of priority as a function of how much I like or do not like them. It's not an expression of caring about their welfare, but rather an expression of enjoying their company. This is hard for some people to understand, and it has caused some discomfort when I've told people whom I do not know very well that I love them, because I was not always clear about what I meant.

To like someone is to prefer their company to that of other people's. To feel at ease and in accord with them, to be comfortable. But comfort truly does breed weakness. It breeds complacency. People we feel uncomfortable around are important to us. They help us find the truth. The fact of my existence makes so many people uncomfortable in so many ways. Suffering without purpose has no value. But suffering is not always without purpose.

I do not want people to be uncomfortable around me, but the solution is not for me to vanish. It's for me to gently assert myself in their spaces until they become accustomed to my existence. Until they get used to who I am. They may not ever be comfortable around me, but they can hopefully become, at least, not uncomfortable around me.

Love is caring about the happiness, health, and safety of someone. It could be your child, your sibling, your parent, your classmate, your friend, your best friend, your lover, your cat, that tree in your backyard, the crickets you pass on your way home every night. It could even be yourself. When people are happy, healthy, safe, they are free. They are free to become the best versions of themselves, and to help others do the same. I sometimes think that I'm free. But then I realize that if I only think that I'm free, and I do not use that understanding to help others also be free, then I am not truly free. Something is holding me back. Something is scaring me.

In the end, I love my mom. I do not like her at all. But I do want her to be happy and healthy and safe. I want that for everyone. I know that she is only a misguided and miserable person because she does not know how to be anything else. I know that she is seeking joy and avoiding pain, like every other living thing. I know that living in denial of the kind of fear that she has allowed to become intrinsic to her being cannot be anything but awful.

I love my mom in the same way that I love the man who groped me on the street last December. They cause injury because they do not understand what they are doing. I do not like either of them, but I cannot help them understand how to be better people unless I reach out to them. Because they will never reach out to me.

You better be home. You actual goddamn cow.

P.S.: Tangentially; if you don't have a mom (or don't feel like you do), I'm your mom, now. Sorry, I don't make the rules. I love you. You matter. Please be safe. Let me know if you need anything.

Wednesday, May 6, 2015

Friend of Mine

I lost a very close friend, recently. I didn't lose him to cancer, or anything. I don't know what I lost him to, exactly. I just know that he's gone. I'll call him Joe. Because that's his name.

I don't remember exactly when I met Joe. I think it was at a house party here, where I live now, but before I had even considered living here. I was very drunk, and in what was probably one of the last really obvious signs that I was actually a girl and really ought to just figure that out pretty soon, I put on Kimbra in the game room, cranked it up, and kind of wandered around the rest of the grounds doing my best to dance just like her.

It would've been a drama crowd from the community college kind of thing, for my part, I think. But the link between the EvCC drama kids and the Grandview kids was Alex, and this is his house, so both groups were around. At some point, some asshole turned off my Kimbra, and put on their own shit. I wasn't in the game room when that happened, but I noticed before long, and unceremoniously took the stereo jack out of that player, in my righteous drunkenness, and restored Kimbra to her true and rightful place. And then I kept dancing. Many months later, Joe told me that it was his music I had shut off to put Kimbra back on. We laughed.

Not long after I moved into this place, Joe moved into one of the other rooms. Being friends with Joe was like loving the sound of the cello. I knew I hadn't known him for very long, but at the same time, I kind of couldn't remember a time when he wasn't one of my closest friends. At a LAN party here one weekend, I referred him to League of Legends, suggesting a funny summoner name for him that ended up winning him a lot of in-game admiration from other players.  He really took to the game quickly. He soon was at least on par with me with most Champions, and not long after that, was clearly reliably better than me with at least as many of them as I was better at than him.

We would team up and play League for hours. There would be hilarious plays, sometimes a funny bug, this week a new Champion release to try to beat each other to the pick for, that week a cool new skin that one of us might gift to the other, maybe a pro match we both wanted to watch the week after that. Sometimes we'd lose sleep and probably cause our grades to suffer for it, but it was obvious we both kind of needed that escape. Game after game into the night, one of us would say to the other one of two things; "can't go out on a loss like that, dude!" or, "can't quit now, after a win like that, dude!" We laughed.

It wasn't just League. Joe was very much there for me in a lot of ways, when I really desperately needed someone to give a shit about me. I needed to be saved from myself. My gender revelation was barely a year away, and everything that caused that dam to finally burst was building up and becoming impossible to keep holding in. I was in full self-destruct. All the switches had been thrown. The Jason Construct was finally crumbling.

During the fall of 2013, I performed in my final play at Everett Community College. It was called The Seagull, and I played the part of Soren, an old and rapidly decaying Russian man; a supporting role. At the director's request, I grew out a pretty full beard, even though I hated it. I would do anything to serve the character. She silvered it with some makeup before every show, along with some of my hair, which, in its ragged and unkempt state, was kind of perfect for the role anyway, minus the lack of gray. I hunched over and leaned on my cane and spoke with an affect that was a mish-mash of every old man I'd ever really stopped to listen to. So, basically Morgan Freeman, and the guy who voiced Deckard Cain in the original Diablo.

The director had, I think, some kind of personal trouble going on while the show was building towards opening night. She had become increasingly hostile with the entire cast, and it was incredibly apparent, even to emotionally-challenged me, that nobody was happy about being there. Most of us were only still showing up in order to not fuck over the rest of the cast. The director's behavior, combined with stressful classes and the uncertainty of moving from actual functional homelessness into this house, which was better in most ways but worse in a few very important ones, left me ready to implode.

The last night of the show ran, and I rather contentedly told everyone who would listen that at the cast party, here at this house, I hoped to drink myself to death. People laughed, because they were used to me deadpan saying things like "hope I die on the way home tonight. See you tomorrow if I don't." I don't know if they knew that I was serious, and didn't know how to deal with it, so they would laugh, or if they just figured I was joking. I never knew. But I did want to die.

I got home that night and had 10 shots of Grey Goose within about an hour. I remember every one of those shots, and I remember about 20 minutes after that. I failed to drink myself to death, but I got much closer than I ever had before. I woke up the next morning, still drunk, covered in what I naively assumed was cat barf, bleary-eyed, stumbling. I fell back asleep for awhile before long, but when I woke back up for the rest of the day, I spent most of that time writing people individually over Facebook messenger, and apologizing for anything I may have said or done that might have offended or hurt them, because I had foolishly gotten extremely drunk, and just did not remember anything after about the first hour.

Reactions I got from that ranged from, "you were hilarious, don't worry about it,"to "you kept falling down lol," to "you were very charming actually," to "you kissed my neck." All of them were embarrassing on some level. A couple of them were mortifying.

I was later told the story of what happened. Or at least some of it. Joe and MJ had apparently taken it upon themselves to keep me from killing myself in really what would have been kind of the dumbest, slowest way possible. Drunk and/or high though they almost certainly were, they got me to my bed, kept a barf bowl near me, and returned often to roll passed-out me onto my side, so I wouldn't choke on my own vomit and die. I also remember really breaking down hard and sobbing my eyes out over I-don't-know-what, probably just my entire life. And I remember them consoling me. And I noticed that they left that part out.

I felt so secure in this friendship that I once joked with him about our impending falling-out. He asked if it was still on for the next month, and I said, "no, no, six weeks," or something. The idea of us not being friends was absurd, ridiculous; to both of us. We laughed.

It wasn't all hugs and puppies, of course. He would snap at me sometimes, and I never quite understood why. He would say something kind of vaguely hurtful and usually more or less accurate, but that would come out in a weird sort of mini-blow-up over nothing, and then never be spoken of again. To the extent that I triggered these outbursts, I never knew how.

When I realized who I was, and started coming out to only my very closest friends, in person, in private, one-by-one, he was the second guy that I told. The first was Alex, mostly because his room was closer. I guess it still is. Joe doesn't live here anymore. But the second person I told was Joe, and he could not have given less of a fuck. I might as well have come in and told him I picked up some eggs, if he wanted any. He kind of shrugged, and was like, "cool."

A little while later, he came to me and asked if I was changing my name or anything, and what should he call me when we play League together on VOIP with strangers, he, or she? I hadn't really even thought that far ahead by that point, and it meant a lot to me that he had. While his initial reaction was good, for me, in that it was a non-negative response, the questions that followed showed that he actually was there to support me. That he actually cared about me.

When I started going out in public dressed as myself, Joe was one of the first, if not the very first, to happily and nonchalantly go out with me. We'd grab lunch, or maybe see a movie, or whatever. Just friends hanging out, nothing unusual about it. Except that I'm trans, and this isn't Seattle. I cannot imagine he did not know the risk he was taking, to be seen treating me like a human being in public. Looking back, that was when I knew that I'd love him for the rest of my life, even if I couldn't have articulated it at the time.

He moved out, eventually, to go live with his girlfriend, MJ — herself one of my closest friends and biggest supporters early on in my transition. She had come with me to the courthouse for my name change hearing, very early in the morning. Since I lost Joe, I can't help but feel like I've lost her, too, in a lot of ways.

I posted one day to my Facebook about some headphones I wanted. They were cute and silly and I thought they'd look great with most of my outfits. They lit up and came in four colors, but I could barely afford even one, so I posted the link, and asked people which color they thought suited me best. And Joe really surprised me.

He started coming at me with this really aggressive tone, saying that the headphones were stupid, and that I shouldn't waste my money on them at all. I had no idea what prompted this. I still don't. But as people in the thread started challenging him on his stance, he dug in deeper, and said that since I was living off of taxpayers, I didn't get to decide what to spend my money on. That the government was giving me that money for my education, not to spend on silly toys.

When he originally posted these things into my thread, I was furious. I had posted a light-hearted, happy thing, asking my friends to help me coordinate my outfits, really, by picking what was going to more or less be a birthday present to myself. (The ship date was around my birthday, plus or minus a week.) I wanted to go off on him. I was full of this really righteous indignation. I was also waiting for my bus in a very cold and dark and wet Seattle, and could only reply on a smartphone, which, if you've ever tried to use angry, you know, is a poor choice in such situations.

By the time I finally got home, about two hours later, I wasn't angry anymore. I was really almost entirely just very, very sad. I felt numb. I could not understand why one of my closest friends in the world was so ready to attack me, and so openly, with an audience. I resolved to address the main fallacy of his position, but to disregard anything else that would require me to go even marginally on the offensive in order to respond to it in any meaningful way.

I pointed out that the G.I. Bill is not welfare. That it is not a giveaway or a handout. That one must not only serve in the armed forces, but must also, at least when I was in, pay into it for a year right when they join. Right when their rank is likely lower than it will ever be, right when they really need all that money the most. That it is earned as part of an overall compensation package for service, just like the perpetual VA benefits one receives when medically separated, as I was. That the tuition is paid directly to the institution, and that the stipend that the beneficiary receives is meant to supplement or replace income, to allow the veteran to focus on school as much as possible. To be spent as they please.

24 hours later, I deleted the entire thread. I never got the headphones. I no longer wanted them.

I messaged Joe privately. I told him that I was incredibly hurt by what he had said. I told him that I could not understand why, even when presented with irrefutable fact that showed how completely incorrect his premise was, he did not come to me and acknowledge that he had injured me. That I needed him to at least acknowledge that he'd done that, if not actually just apologize for it. I told him that I didn't need an immediate answer. But that I needed one soon, because I actually had self-respect now, and I could not keep someone in my life who had so little respect for me that they could attack me that way in the first place, never mind fail or willfully refuse to acknowledge the damage they'd done. My last message got marked "Seen" before long.

Ten days later, without any other response from Joe, I messaged him one last time. I told him that I took his silence to mean that I was not important enough to him to deal with. I told him that I didn't know what had happened, but that I was grateful to him for having been such a great friend to me while he had been, and that I hoped he did well in life and was happy. That I hoped it wouldn't be too awkward whenever we'd see each other around in the future. And that was more or less where things sat.

Please don't take any of this to be some kind of indictment of Joe as a person, and an elevation of myself. Do recall that I was extremely difficult and draining to be around, far more childish than I am now. Joe may have failed me, in the end, but I'm sure I failed him in at least as many ways, to which I was (and probably still am) far more oblivious. Which is part of the hell of it all, really. It leaves me wondering what I did to make him stop loving me. Maybe it was nothing, maybe some other things in his life just caused him to lash out randomly at the next annoying thing, and I was it, and I just took it more poorly than other friends of his might have. Or maybe I really upset him and he didn't feel like he would get anywhere useful if he tried to come talk to me about it. And given how long and well he had known me before I knew who I really was, I would not at all fault him for thinking that.

I met someone recently, Kim (from the internet), who kind of inadvertently dredged a lot of this stuff up for me. That's her, in the screen cap from my phone, there. I don't know why I blurred her name. I just told you it was Kim. Anyway, it was your average girl meets girl, girl takes girl to dinner, girl takes girl to an arcade, girl takes girl to a chocolatier for martinis, girl takes girl to her apartment, girl has indescribably mind-blowing sex with girl for basically the entire night, girl takes brief nap with girl, girl takes girl to breakfast, girl says, "I can't see you for at least about a week, because this was really intense, and I need time and space to process it all" to girl kind of thing.

And at first, I thought, hey, great idea, don't just get all falling-down-the-mountainside crazy in love with someone you just met because you were kind of an idiot and got super intensely close, oh, I don't know, less than four hours after meeting in person. It seemed like a very grown-up thing to do. And since I play a grown-up in real life, I figured I should at least put on a brave face and try this approach. I'd been actually doing really well in general with that sort of thing — figuring I should try something that used to scare me, and doing it, and then doing it well, or at least not terribly. And feeling good about that. That's not what happened this time. I started feeling really agitated and irritable. I wasn't able to sleep. In fact, I can't sleep right now. That's why I'm up writing this thing. What a nerd.

Anyway, I realized before long that I was actually angry at the girl I'd just been so very happy to have met. That seemed kind of insane to me, so I backed up a bit to examine the problem. I felt frustrated because I wanted to see this girl that I really liked. I was getting angry in the frustration. But the object of my frustration and the object of my attraction were the same person, so not only did I have the base level of frustration and distress from just being kept from this exciting new person, I also had this sort of freakish sense of betrayal because she was the one keeping me from herself.

I know, right, over-attach much? I was basically feeling a relatively mild version of abandonment. And it was a very deliberately chosen abandonment, that I'd agreed to eagerly. Intellectually, I know this is probably a good (or at least not-bad) choice. I'm being forced to confront, on my own, this whole anxious attachment thing that I seem to have going on. My first confrontation manifested itself in remembering Joe, and how badly it hurt to lose him, but also how little I'd actually allowed myself to feel that, at the time, or since.

A video posted by Seranine Elliot (@aggressivefrontpocket) on

Yesterday was my last class day for the week. I've been getting more and more loopy over the last two days because of the profound lack of sleep. I've been singing more animatedly than usual in the car to try to stay awake and not die. I had a bit of a meltdown, trying to reach out to Kim (you remember Kim, from the internet). And when she took her space and finally closed me out for the night, my brain was like, hey, we're already freaking out about abandonment, wanna think about Joe for awhile?

So I got high, popped onto League and started up an ARAM. But I also put on a Liz Phair song. An old favorite from about 12 years ago. When Joe was 9. Haha. Anyway, putting on Friend of Mine was either the perfect decision, or the worst possible decision, because it wasn't long before I was sitting here bawling my eyes out while doing remarkably well with Xin Zhao and ultimately leading in kills for my team, and taking them to victory. I even said in the in-game chat to my team, "hey, guys, good news; as long as i'm listening to liz phair and sobbing my eyes out, i actually do p good with xin."

I also led the team in deaths. It was a darkly funny kind of callback to past-me. I was charging in over and over, to die. Whether we achieved victory or only managed to stall a defeat, I was going to die repeatedly. Either way, I won.


The game ended, but the song did not. I left it on a loop. I was exhausted. I still am. But I couldn't sleep. I still can't. Even after I shut down the computer and turned off the song, it kept playing in my head. Every time through, I'd remember it all again in vague dream-sequence flashes that were more emotion than vision, and I would be racked with sobs. I was gasping for breath after exhaling everything, completely, feeling like I'd just been nailed across the midsection with a two-by-four. Rolling around, silently screaming, trying to inhale, and failing.

At one point, I was struck with the sudden and indescribably awkward realization that I had been attracted to him, too. He was a genuine and decent guy who treated me like a human being, like his friend... just the way he had before. Maybe that's all it takes for me, right now. Maybe that's kind of sad, I don't know. But realizing that, and recognizing the truth of it even as it made me grossly uncomfortable, added a nice sort of knifed-repeatedly-in-the-chest feel to my sobbing. I had thought that I had had the wind completely knocked out of me, but I was wrong; there was a little bit left. This was when I lost that. It was painful in a way that's difficult to describe. I felt really ashamed, for some reason. Like I had done something wrong to find a handsome, intelligent young man who had treated me kindly attractive. Gradually, the tears let up, and the sobs were less intense.

But I was still pretty high. I tried to get up to come to my computer to write this post. I stumbled and started to fall back into a sitting position on my bed. I remembered the cast party, and being even more disoriented than this by the same bed. But nobody was here to take care of me, this time. I lost it again. It was agony. Every time the end of the song came around, the sobs would come back. They'd come back with the questions Liz asks of whomever she wrote the song about, the questions I still want to ask Joe.

It's been so long since you've been a friend to me.
It seems like I dreamed and now I'm waking up to daylight.
What happened?
When did you let go of me?
I miss you so badly.

It's been so long since you've been a friend of mine.


And now I'm crying again.

Maybe that means I'm getting through it. But Liz is still right. I miss you. So badly.

Sunday, April 26, 2015

NSFW

NO STOPPING FOR WATER.  None. C'est interdit.

So, I'd like to be able to talk about sexual things on this blog, through the lens of my own sexuality and thoughts on it. I've been debating how to go about this for some time. On the one hand, I'm extremely leery of being regarded as part of the "T-girl porn" culture, which is, I imagine, (prior to the whole Bruce Jenner media frenzy) one of the only ways in which many cisgender people have ever been exposed to the idea of a trans person. (In second place is The Silence of the Lambs, and don't even get me started on that.)

But on the other hand, when I have written about intimate events, actions, and thoughts, the responses I've gotten, most often from other trans women, have been resoundingly of gratitude and relief at the real reassurance that things that they had thought and felt were not things unique to them. That they weren't as alone as they'd previously believed, and that to feel the emotions they'd been feeling was not wrong or dirty. And in the end, I feel like almost anything I can do to help make the lives of other trans women even infinitesimally better or easier is going to be a thing I need to do if I am able. And I am able to write. Quite well, in fact.

I suppose that when this blog has been around for awhile, fingers crossed, it will become apparent that sex and gender, as topics, appear not terribly more frequently than they cross the minds of people in general, anyway. This should, I hope, contribute to my goal of sharing my life as fully and honestly as I can, to demonstrate how much more like everyone in the world I am, than unlike.

I will make every effort to appropriately tag posts that deal with sex and sexuality, or that show perhaps more of my body than is appropriate in some settings, as nsfw. But that is, really, more of an acknowledgement of the realities of our culture (that these topics, and images of the naked body, even in mundane and non-sexualized contexts, are literally "not safe for work") than any tacit agreement that shame and filthiness are intrinsic parts of sex or sexuality, or our bare bodies.

With all that said, my number one debate had been not so much about whether to write at all, but about tone; how to approach writing this way if I was going to indeed do it here, seriously, rather than in fragments on my tumblr. My first thought, to counteract the idea that there was anything pornographic about what I was sharing, was to use the driest, most clinical language possible. But sex is not really dry and clinical. We have to approach it that way to study it in any useful, quantifiable way, but that is not its nature.

On top of sex not really being a dry or emotionless topic, inherently, there's the fact that I do already have some idea how to talk about sexual things, because I often do this with my friends already. And we're casual about it. Nobody says "I stimulated him orally until he ejaculated into my mouth, at which point, I swallowed the semen." Right? Nobody's high-fiving you for that. We say, much as you probably say, "I blew him and swallowed his load." High five.

So, that's the tone you can expect from me when I'm writing about sex. It's not going to be overly (or overtly) sexual just for the sake of being sexual, but it is going to be casual, while remaining as descriptive and detailed as it needs to be to get the point across. The point of the text will never be to describe any particular event, but rather to describe enough of it to provide the full and necessary context to understand my conclusions about it. It would be the way I would say things to my friends, because really, that's what I'm hoping you will all be. And I'm hoping that my openness, as soon as I can manage to really get over myself and be as open as I'd like to be, will really help a lot of people feel more comfortable with their own sexuality. I'm sure I will start to get some unsavory attention for this, but I suppose I'll have to just deal with that when or if it happens.

Anyway, a couple of positive things happened for me in the shower just now. The first was just noticing a bare boob shadow for the first time, against the shower wall. I was like, “is that my shoulder? Noooo... Cooooolllll...” (I confirmed what it was, naturally, by cupping and lifting it. It was the left one, if that matters to you for any reason.)

The second (and far more impactful) was that I regarded my penis as feminine for the first time. It was purely subconscious, like my spontaneously regarding myself as beautiful (in a sexual context) when I’d been in the shower the other day. I immediately felt very similar sensations to that previous time — I at first felt very warm inside; happy, and pleased with myself and my body, as it is.

And then I felt a strong sense of unease.

It wasn’t quite so strong as the last time, but then, this was not a sexually charged moment. I don’t think I was even washing my penis, at the time. In any case, I didn't start crying, I just felt sort of gross. I am going to guess that this was a manifestation of cultural influence on my own self-perception. My unchecked thought was that my penis was feminine, which pleased me, because that is how I perceive myself; but my higher, culturally-influenced thought has always regarded any penis, automatically, as absolutely masculine. As literally representative of masculinity.

Ultimately, a lot of my own perception of my gender is tied very strongly to appearances, not just in the visual, but in the visceral aspects of creating those appearances. Which means that, since I will spend a great deal of my life wearing clothing, I need that clothing to be what I perceive as truly “feminine” clothing. (Realize that I am only speaking for myself, here. Whatever defines femininity to you personally is up to you, of course, as it is for me with my own body.)

And that means that I do still think that, even if I consider the possibility of a future where I do not dissociate as strongly from my penis as I do right now, I will end up having full SRS, and not just an orchiectomy. I’ve not touched it in months, aside from incidental contact; nothing sexual, at any rate. Not by choice or force of will, but because I rarely even register its existence anymore. This has been one of the most pleasing results of HRT.

I do still start crying a little bit sometimes, depending on my mood, when I see myself naked. Mostly because of the penis. Somewhat the facial hair and adam’s apple, but those can be addressed to some degree with shaving and makeup and lighting. But the penis is just... there. It’s this big, external reminder that my body isn’t what would really feel right to me. It’s a body part that ultimately defines what it means to be a man for a lot of people, and that is not an easy association to erase when the vast majority of one's entire culture is bent on reinforcing it.


And that is the real issue. I've been wrestling very much recently with how far to transition. My first thought, on realizing I'd misunderstood my gender for my entire life, was that I wanted a completely female body, to the greatest extent possible. And at the time, that meant vagina, breasts, hips, slimmer natural waist, no facial hair, no adam's apple, fundamental vocal frequencies about an octave higher, and certainly not a penis or anything associated with it. The reason that I wanted this was for comfort. To feel right in my own body, to feel at home, and not like I'm stuck in a maze that I cannot understand any more than I can escape.

But I have since realized that that sense of comfort does not really come from inside me. It lives inside me now, but it came from my environment. It was cultural. This is the confusing part about it, for a lot of cisgender people, I think. Passing can be about many things. It's often about avoiding discrimination and harassment and violence. Sometimes even death.

At its core, for me, passing is about personal comfort, and that is informed by our culturally-defined perceptions of gender. When I am out in public, passing is to some degree about what everyone else sees. But when I am alone, and, truly, all the rest of the time, too, passing is not about what everyone else sees, it's about reacting to the judgments that everyone else makes and acts on. And I carry those with me everywhere. I imagine everyone does.

The thing that I've realized, thanks to discovering Laura Jane Grace, is that we can change those cultural definitions. And to some extent, this is already happening. Everything I am doing is geared towards doing that, if you really examine what I'm trying to accomplish.

I spent a few days really agonizing over what to do about my voice. I felt such a tremendous sense of obligation to not change it. Because representation is so, so, so incredibly important. But then I acknowledged that I'm already greatly shaped by the cultural definitions I'd developed and carried over the course of nearly 40 years. I recognized that to not get VFS, possibly making my own life more unpleasant than it needs to be, would be martyring myself to some degree. And I concluded that that isn't necessary.

Where that's left me in regards to transition broadly is not very different a place than I was before, but with a very different mood. Previously, I had a plan, and I was very driven in moving it forward and sticking to it religiously. Now, I have a rough outline, an order of operations (haha), and the actual plan part of my plan is to just see how I feel when I reach the point where I have the resources to actually take the next step. Whatever that may be.

Friday, April 24, 2015

Feelings Are the Best

I know you’ll probably think that’s sarcasm, but it’s not.

Have you ever had your heart, like... not broken, but... like, you saw it roll off the edge of a table or something, right as it went over the edge, and there was nothing you could do to stop it, and now it's got a little crack? And you're just like, "oh. Well."

Captain America was flirting with me last night on Ok Cupid. It was a really light and pleasant conversation. He obviously didn’t really understand trans women or trans issues very well, but he seemed to be genuinely making an effort, and not fetishizing. He behaved as if he were honestly open to challenging his core beliefs, and revising them as appropriate. I felt like he was flirting with me as a human woman, and not as a trans girl like the ones from his favorite porn, or whatever the hell it is that I get much more often.


I had some trouble sleeping, so I allowed myself to imagine him in bed with me (which, by the way, is a terrible idea). Mostly just lying there in his arms. Some other stuff, too, but mostly that. And I got to kind of air some of my fears in a safe and vacant space, and just sort of enjoy that warm feeling you get when you immediately like someone on several levels, and you know that they feel that way about you, too.

I woke up stupidly early this morning, and I couldn't get back to sleep, so I went to see if he’d sent me any notes. And he hadn't.

But he had deleted or suspended his account.

So, to recap (and expand), this was my journey:
  1.     he’s kind of cute
  2.     he’s kind of a tool
  3.     okay he’s trying
  4.     he really is kind of cute tho
  5.     oh my god that is adorable
  6.     ok here are some things i am afraid of
  7.     yes thank you
  8.     goodnight
  9.     if you’re still up, i can’t sleep for some reason
  10.     this feels so nice
  11.     oh
And I got upset. I mean, I got really upset. I was sitting here crying, feeling like an idiot for ever even responding to him in the first place, trying to imagine what possible scenarios could result in a man who had just been very contentedly flirting with me literally four hours earlier suspending or deleting his account before I woke up the next day. Like... I mean, he said he worked on a tugboat. Who the fuck works on a tugboat? God, I’m such an idiot, sometimes.

I challenged a lot of this stuff. Internally, I mean. You know, like, “no, I’m not an idiot, I just opened myself up and then he disappeared, and that’ll probably happen again, but I can’t become too afraid of the possibility of this kind of pain to keep being open.” Anything that I had been automatically concluding was bad about me, or my fault, I was able to challenge and basically discard. And I gradually stopped crying.

So now, I’m just kind of like:  ¯\_(ツ)_/¯

I had been upset. I had been really very upset. I felt the feels. And then they left. And now I’m basically fine again. And it’s that easy.

I spent so long avoiding feelings at all. I literally spent decades experiencing no emotion because I had become so afraid of how painful it was. My favorite therapist used to ask me, at the start of every appointment, "how do you feel?" and I would answer, "I don't know." But one day, maybe six months along, I said, "sad," and he said, "good! That means you're starting to experience emotion again." I was not pleased.

But now that I’ve discovered who I really am, I’ve also started to feel. Everything. Completely. All the time. And I love it. All of it. Even the bad. It’s so much simpler and cleaner this way. It feels natural. It feels right. It feels like being alive. And now, instead of carrying around some nameless distress that I can’t put my finger on for the rest of the day or the week or whatever, I’m just barely annoyed.

Feel your feels, people. Just... fuckin' feel 'em, it's so much better, I promise.

Sunday, April 19, 2015

#RealDeadTransKid

Today (yesterday) had been going a little slow.  I didn't feel particularly well, but I had a lot of homework to get done, so I was really trying to focus hard on that, even though my body was making that especially difficult.  Nothing to do with gender dysphoria, just some run-of-the-mill living human kind of stuff.  I was actually starting to finally feel a little better when I saw the news that Taylor Alesana had killed herself.

I clicked through to the article, and I read down to the end, and started to well up a bit.  It was sad.  It was as sad as every other trans girl's needless death, by her own hand or someone else's.  But I felt a little numb to it, at the same time.  When Leelah Alcorn died, I also felt sad, but her death had hit me harder than most.  I had not written any new (pop) songs since my own gender revelation, primarily because nothing was really that horrible in my life.  Even the bad stuff, I was weathering, and coming out okay.  I had nothing so miserable to write about anymore.  Until Leelah died.

The way that I found out about Leelah was what really turned the news of her death into an absolute suckerpunch.  I had been browsing tumblr that morning, and I saw some trans girl's selfies of 2014, or whatever.  I reblogged them and followed her, as I tend to for anyone I am sure is a trans girl.  And then a little further down, I started seeing posts about someone named Leelah Alcorn, or maybe it was Joshua, but were they male, or female, who was saying what, I didn't know.  Then I found a post with a link to her suicide note, and I was stunned.  Because it was her.  It was the girl I had just followed.  The one I'd been looking forward to supporting and encouraging.  The one who had a build just like mine.

I felt sick.  I felt numb.  I remember wanting very much to cry, but not really being able to.  I had something inside me about it that needed to come out, and ultimately, it was a song.  The first (and so far last) miserably depressed song that I've written since becoming basically happy most of the time.  I had experienced challenges that would impact my mood since it had stabilized in a much better place, but I had not run across anything like this, any really traumatic event.

I joined with a lot of other trans people and tweeted under the hashtag RealLifeTransAdult, to try to help trans kids who were stuck in a hostile environment just keep their eyes on the future.  But mostly I just kind of packed it away into the back of my head somewhere, and kept on just trying to work on me.  Just finishing the degree so I could start fixing my own life to the point where I could start helping others.  To be able to fight from a position of power, or at least not from a position of such absolute weakness and vulnerability.

Taylor's suicide brought all of what I had stuffed away when Leelah died back to the forefront of my mind.  I briefly examined my reactions, wondering why I was feeling so incredibly affected by these two girls, but less so by so many of the other trans girls' deaths that I read about, and reblog.  I wanted to be accountable to myself if I had some kind of unexamined, racially-motivated bias.  And I decided that that didn't really fit.  It didn't feel right.  Because every trans girl's death hurts.

I have never been close to my immediate family.  Trans girls everywhere are the closest thing to family that I have.  That means some of them drive me insane, others inspire me; some have personalities that I struggle to deal with, and others just click with me right from the start.  Some of them I just don't really have strong feelings about one way or the other.  That is, I like some, I dislike others, and am ambivalent about the rest.  But I love them all.  Because they're my family.

When a trans girl dies, I realized, how much it impacts me has to do with how closely I feel her life experiences map to my own.  With Leelah, it was the broader sense of total rejection from parents, a refusal to acknowledge who she actually was.  That was, again, broadly, my experience growing up.  My parents never had any interest in getting to know me.  They had a plan for me, and I wasn't in on it.  The further I drifted from it, the less they loved me, until finally, there was nothing left, and I was just taking up space at home.  Leelah's death, with those immediately apparent first details of her parents rejecting her, struck a chord with me.  So her death felt like the loss of a little sister that I had just been told I had.

With most trans girls, there aren't such potent emotional hooks that resonate specifically with my own life.  These deaths feel more like the loss of a distant relative.  One I may have seen from afar once or twice at the annual family reunion, or whatever.  A loss that I feel, and a person that I will miss, and a shame, but less hard-hitting for me, personally.

Taylor's death felt like that, at first.  I read the article, and welled up a little bit.  I got a lump in my throat, and a couple tears fell.  Maybe a few.  But I didn't feel too terribly much in common with her specifically, beyond the fact that we were both trans.  And then I watched her video.


And it shouldn't have hit me as hard as it did, because the thing that made me feel really connected to Taylor was at the very end.  It was just word choice, on her part.  Telling us about what she hoped to accomplish in the near future, and then saying "wish me luck!"  It's not even a trans phrase, it's just a thing some people say when they're about to try some big thing that means a lot to them.  It's the same thing I've been saying a lot lately.

I completely fucking lost it.  I had been tearing up a bit throughout her video, but at the very end, I was absolutely done.  I had spent the previous hour or so doubled over in my chair, trying to convince my guts to relax, so I could just sit up like a normal person and get some homework done.  And there I was, doubled over again, but sobbing relentlessly, this time.  And, objectively, in far more pain.

I ended up stumbling over to the bed.  I couldn't see very well.  I sort of fell over and scattered cats everywhere.  Cream Puff Cow came up to me and started head-butting me gently while I cried.  He's such an idiot when it comes to basic things like, "which way did the ball go that I just watched roll right past me?" but he's probably the most emotionally tuned-in cat I have, and one of the better ones I've ever met in my life.

A photo posted by Seranine Elliot (@aggressivefrontpocket) on

Sorry, I start to really babble when I'm upset.  It scatters me.  Um.  Yeah, so, anyway, I was sobbing on my bed, and I just started asking Cream Puff Cow, of all people, "why?"  A million variations on the same question, for about an hour.  But, in between sobs.  I was probably not intelligible, but that was okay, because he doesn't understand English, anyway.

Why do people hate us so much?

What have we done to make anyone upset?  What?  Besides being born this way?

She just wanted to help people learn how to do their makeup better.  Who could that have possibly hurt?

Why do they keep killing us?

And we all know the answer, right.  It's because we're different.  And it's the dumbest thing in the world.  We are steeped in this culture of celebrating diversity in theory — thematically in stories, whether in music, text, or video with coming-of-age and fish-out-of-water archetypes — but burying it in practice.  We want to see and celebrate diversity, but we only want to do it from afar, and we only want to do it with people that we can find pleasing in enough ways to offset the things about them that we do not understand, things which may disturb us.

And I get that.  I just wrote about it.  People who are different from us can sometimes seem so different that we get freaked out.  What we do with that feeling defines us.  When we are children, perhaps we respond by making fun of some aspects of that person that we think tie into whatever it is about them that we can't get our heads around.  Of course, once the belittling starts, the target is gradually perceived as less and less human, and let's be honest, they didn't rate very high to begin with.

Believe it or not, I was actually part of bullying a kid in my middle school.  Not an especially active agent, but active enough.  Certainly not passive, and definitely not in opposition, which is where I really wish I could say I had been.  There was a Korean kid in our grade who had some kind of mental or emotional disability.  Possibly something developmental.  I never really found out.  Some of the other kids would get really nasty with him, physically violent.

I never got that bad, but I wasn't much better.  Whenever someone made a crack at his expense, I laughed.  Yeah.  It was hilarious.  This kid is different.  What could be funnier.  I probably made some cracks, myself.

One time, another kid in our grade held him, suspended by his ankle, over a stairwell, a one-story drop.  I have no idea why.  I walked up on this scene, and I can't remember doing a thing to stop it.  I can't remember even wanting to.  It was scary shit, looking back.  Some real Lord-of-the-Flies shit.

But my real motivation, if I can be honest with myself, wasn't so much that I hated the Korean kid for any particular reason.  It was that I was so relieved to not be the target.  I was so relieved that nobody was coming at me for my bad teeth, or my shitty haircut, or my cheap hand-me-down clothes from my older brother, which had probably come from a thrift store or fucking K-mart before that, anyway.  I was relieved that I could just be another asshole in a sea of assholes.

Because I knew.  I fucking knew how much it hurt to even think that other people didn't like me.  To even think that they were talking about me behind my back, making fun of me for god-knows-what.  Being poor.  Being short.  Having glasses.  Being shy.

I was once happily flirting with a girl in one of my classes.  And I do believe she was flirting back.  We were just chatting and being silly, not thinking at all about where anything might go.  We hardly knew each other.  It was the middle school equivalent of meeting someone really cool at a bar.  Except that at this bar, her friend showed up, and asked her, without even looking at me, "when are you gonna stop talking to this nerd?"  This was probably around 1987, and when someone called you a nerd in 1987, it was not a term of endearment.

The thing is, I know everyone in the entire world knows what it feels like to be the target.  To be the object of ridicule.  What I don't know is why, when we realize that, we keep being so fucking awful to each other.

Try to imagine the lives of these girls.  Imagine knowing who you are, absolutely, unquestioningly, to the very core of everything you are and have ever been.  The way most people do.  Knowing your gender.  The way most people do.  Feeling secure in at least that, if nothing else.  The way most people do.

Now imagine being challenged on that everywhere you went.  From the moment you woke up and your parents denied your identity.  To the bus stop where all the other kids ignored you, except when they all turned your way for a second to stare, before returning to their circle to burst out laughing.  To school where you get beat up in one bathroom, but looked on with disgust in the other, as if you were some kind of awful beast.  To lunch, where no one would sit with you.  And then back home.  To start it all over again the next day.

At first, you might fight back.  After all, you know who you are.  It's so obvious.  To you.  It's the truth.  So you fight back.  Someone calls you "faggot," you pick whatever you think might hurt them the most, and throw it back.  Maybe it's "nigger," or "chink."  Maybe you point out that they were adopted.  Maybe you ask if they still live in a trailer.

Eventually, you get tired.  You can't fight forever, so you stop fighting.  But they don't stop attacking.  You stop feeling, but you keep taking damage.  And before you know it, every day is misery, and you long for death.  You long for rest.  You long for freedom.  You long to be treated and seen as the person you know yourself to be.  Your mind becomes very adept at shutting down positive trains of thought, and it becomes more and more fatalistic.  Until finally, it kills you.

The next time you feel uncomfortable around someone, ask yourself if they're actually doing anything that warrants discomfort.  Are they charging at you, brandishing a frozen-solid slab of albacore, while not wearing any pants, covered in cat shit and Goldschläger, screaming about the motherland?  Feel disturbed.  Be okay with feeling disturbed.  Because that is some weird shit.

But are they just sitting there, having lunch?  Are they just washing their hands in the restroom, not making eye contact, and clearly hoping to GTFO ASAP?  Are they, in any other words, just existing?  Because if that makes you uncomfortable, please be honest with yourself and realize that the problem is not that they exist, but that you are reacting in some particular way to that fact.  And when you see other people who feel uncomfortable around that person starting to take it out on them, think long and hard about what you wanted the last time someone laid into you for basically just being who you were.

Wednesday, April 15, 2015

Cellos for Violins

One of the only things I liked about The Jason Construct was his voice.  It wasn't always that way.  I always wanted to be a good singer, and I always wished I was, but I didn't get any real encouragement, and friends would usually take cracks at my singing voice, so I did it less and less.  Even when I took my very first demos to a real studio to get mixed and treated by a real audio engineer, the guy said my songs sounded good, but that I needed to get a new singer.  And he wasn't even trying to be a dick, he was just being an objective professional.  (Fun story: I ran into him again about 20 years later, when I went to my school's open house to find out more about it.  He's an instructor here for audio, and used to head the department.)

In a way, he wasn't wrong.  I did need a new singer.  I needed the new singer that I became after I started learning how to actually sing, instead of just doing it and hoping for the best.  It started with a book: Set Your Voice Free, by Roger Love, a "vocal coach to the stars" kind of guy who had coached the likes of Billy Corgan and Michael Jackson.  The book came with a CD, and I was able to do exercises as if guided by a live coach, sort of.

I made noticeable and excellent progress with my voice.  The difference is hugely apparent when you compare an older song like one big walking, which predates my exposure to any vocal training of any kind, to i've lived too long, or three days in a hospital, both of which I wrote and recorded after working with the book.  The first song is a bit pitchy, definitely screamy, not inherently unappealing, but definitely of a garage aesthetic.  If the sound of a clearly untrained singer wailing over washed-out guitars with a high noise floor appeals to you, then it's a shame we didn't know each other back then.  In the second two, it's clear that someone has given me a stern finger-wagging about proper breathing, and there's the beginnings of an understanding of middle voice.  It's all much stronger, purer, steadier... less pitchy until I get to the very highest chest voice notes when I'm belting.

By the time we get to more recent recordings like resection, which follow two quarters of vocal coaching with a retired professional touring opera singer who had over 30 years of experience, an even bigger improvement is heard.  I have more confidence, so any shakiness in delivery can be attributed to the emotive performance, not incapacity to actually hold a note.  It becomes a deliberate choice to introduce it (or allow it to be introduced, more accurately) rather than just a quirk of this performer.  Harmonies beyond the simplest arrangements are still magical and confusing to me, though.  I have been known to drift from track to track, and stumble my way through multiple keys on my way.

But then I had my gender revelation.  And I felt so incredibly, indescribably happy.

One of the first things to really bring any kind of melancholy back into my head was realizing that part of why my voice had always bothered me and seemed inadequate was that it was a male-typical voice.  I mean.  Testosterone will do that.  Usually.  Anyway, in sort of having become accustomed to my depressive state, I had started to cling to my voice as the one really redeeming quality about me.

I've always loved the sound of the cello.  I can't even remember the first time I heard one.  I can't remember not knowing and loving that sound.  One of the most effective ways for me to try to come to terms with the placement of my chest voice range (about an octave lower than I would feel more natural in) was to tell myself that I was more like a cello, which I adore, than a violin, which I could kind of take or leave.

And then I realized who I was, and without really thinking about it too consciously, I stopped singing.  I had gone from constant singing anytime I drove anywhere by myself to sort of humming along in falsetto, maybe.  I had gone from bringing my guitar to school and just breaking it out and playing little sets wherever I was, to barely even touching my guitar.

Part of this had to do with writing.  A quick pass over my earlier lyrical work reveals a pretty clear and serious trend.  Everything I wrote was rooted in self-hatred.  I had an endless void of it to draw from, and I wrote pretty prodigiously.  The works that are "complete" enough to even share on the web site make up probably less than half of all material I've actually produced.  The rest is scattered in 20-second clips on various drives, ideas for later, along with scraps of lyrics in tiny text files with names that make no sense to me until I open them, and remember how that particular play on words worked.

But suddenly, not only did I not hate myself anymore, I loved myself.  I liked myself, on top of that.  I would still hear music, but not as often, and not the same kind.  I had stopped hearing lyrics entirely.  My need to share information about myself was channeled elsewhere.  I revamped my tumblr, turning it from another run-of-the-mill League of Legends blog into a much more fashion-oriented blog, with much more feminism than I had previously reblogged, as well as shared pictures from my Instagram.  The one constant between the two styles was cats.  Lots and lots of cats.  Okay, and owls.  But those are really just flying cats, and you will never convince me otherwise.

Another part of why I had stopped writing, never mind that nothing was really coming to me anymore, was that I felt very acutely how wrong my voice was for me.  I wrestled with how to solve that problem for awhile.  My preferred course for awhile has been to try to acquire or save up enough money to get Voice Feminization Surgery (VFS).  Yes, that is a thing.  I had seen some videos, patient testimonials, from a place called Yeson Voice Center.  Videos like this one:


This same bit of text was used when I first started going to speech pathology appointments at the VA hospital.  It's phonemically balanced, so it provides a good "drone" to get a baseline on someone's vocal properties.

Speaking of speech pathology, that's another possible "solution."  I never liked the idea of trying to change my natural vocal habits, because it feels too much like an act.  I want to be able to just relax and be myself, not worry about whether I managed to convince enough people that my voice was a cis woman's voice.  I've noticed that in interactions with strangers that are going to be very brief, such as with a bus driver (usually), I will pitch up, and try to alter timbre as much as possible, too.  Which, you would think, I would consider to be putting on an act.  But it's so automatic that I don't think of it that way.  But with friends, or on dates, or for more extended interactions, I just relax and talk.

A long time ago, I fell absolutely in love with a band called Crumb.  I used to frequent Moby Disc, when I lived in Los Angeles.  I would scour the dollar bins, and try to find cool, edgy, unknown bands.  Most of them were trash, to be honest.  But a few of them were just.  Fucking.  Amazing.

Crumb was one of those bands.  I started going to every Moby Disc location I could find, so I could rifle their dollar bins, and get every copy of Romance is a Slow Dance, to give away to anyone I thought was worthy of it.  Not long after that, Seconds Minutes Hours came out, and I happily paid full price for it.

Years later, I started looking for their work again, because my copies had been lost when our storage locker had been robbed, along with all the other CDs I owned, basically.  And I thought that Crumb had put out more records, at first, but a closer look showed that it was a different band called Crumb, and still more research showed that my beloved band called Crumb had broken up after their second album.  But, I did finally find some old MP3 rips of those albums that had managed to survive, and I started listening to them again.

And somehow, I found good-Crumb lead singer Robby Cronholm on Twitter.  And I wrote him a note kind of telling him about how I'd found his band way back when, but didn't know they had broken up, but that I found his new band while I had been looking for his old one.  I told him that I was glad to know that he was still making music, and that I looked forward to hearing more.  I asked him if he'd listen to some of my music, if he wasn't too busy, and let me know what he thought, because I really respected him as a songwriter, as a singer, as a musician.

And he wrote back.

This blew my fucking mind, at the time.  This guy, to me, was really basically in the same league as Billy Corgan or Morrissey.  Really, I felt very much as if either of those guys had written me back.  I would listen to Crumb, then some Smashing Pumpkins, Morrissey, back to Crumb... it was all professional-quality music with high production values, excellent songcraft, and very, very skilled performance.  So, I told him that.

And he wrote back again, gushing that anyone would ever compare him to Morrissey, because Moz is one of his main influences, and a major idol for him.  (I will finally confess, here, for the first and last time, that I already knew that before I wrote him and told him that, because I had read it somewhere else.  But it was still true.  Sorry, Robby.  Everything you know is a lie.)

We chatted on and off for awhile, but at one point, he sent me a note asking how I was doing, and I didn't see it for, oh, I don't know, maybe three years?  To be fair, it was right around the time Jenn and I had gotten evicted, and were homeless for a fair time, without the best and most constant access to the internet.  The first time I saw that note was in September of last year, about a month and a half after I had realized who I was.


So, I told him everything.  And, to be honest, I didn't know exactly what to expect, but I was optimistic.  He'd been such an absolute sweetheart before, taking time out of a busy schedule to listen to some random schlep's music and tell them that he thought it was really good, and actually make specific comments about specific songs by name... it felt like he really cared about other people and was a really great guy.  But some really great guys have one big problem, and it's hating trans girls.

Robby Cronholm is absolutely not one of those guys.


Seriously, what an absolute sweetheart.

Anyway, part of this went over my head at the time.  I didn't know the name Laura Jane Grace.  And as this was while I was pounding my way through 21-credit quarters at school, I didn't really give any of this much thought.  Partially, I realized later, because I didn't even understand his sentence because of the probable autocorrect error, "translation" for "transition."

Very recently, I saw some interviews with Laura Jane, and some performances, and I thought... wait a second... her voice is like mine.

This gets into everything I was talking about in my last post.  I started to think that maybe the reason I felt like my voice was wrong for who I really am was that I was buying into a variation on the myth that femininity is only and absolutely defined by certain sizes, textures, and colors of things.  This is really not that different from how most girls feel every day about their entire body, because our media is constantly telling girls that their bodies are okay, I guess... but they could be so much better, if only they bought this and used that.

I'm telling my story because I don't want the next trans girl like me, who figures out, just shy of her 40th fucking birthday, that she's been someone else all along, to feel like there's nobody else out there like her.

So now, I don't know.  I don't know what to do about my voice.  Before making the whole Laura Jane connection in the first place, I had started singing again, but only in private, because I figured that if I kept up on good vocal health and strengthening/toning techniques, I would recover much more quickly from surgery later.  This was also the number one reason I agreed to try the voice feminization program at the VA hospital, with the speech pathologists.

Not long ago, I was in a Live Sound II class, and we needed a singer.  So, I got up there and sang.  I didn't want to, but I felt like I was the best qualified among those there by a fair margin, even as out-of-practice and self-conscious as I was.  I suppose it's sort of ironic that when everything else flipped in my head, the one previous positive, my own view of my own voice, became really one of the only big negatives.

Later on, that instructor approached me outside of class about collaborating musically.  He has a degree in music composition from Cornish, and generally knows what he's on about.  He's also the drummer who had complimented me at the Up All Night event (in the paragraph by my selfie in the pink dress).  I obviously said yes.

That, then, combined with having later found out about Laura Jane Grace, and hearing her sing and speak with confidence, had left me debating just how necessary VFS was, and how good it would be.  Not just for me, but for everyone.  VFS is not cheap.  It has risks.  And even if I get my voice pitched where I want it to naturally sit, with the right harmonics, it may impact how well I can sing. There's even a slim chance that something could go wrong, and I could lose my voice entirely, permanently.

Oh, or die.  I mean, it is a major surgery with general anesthesia.

When I first realized I was a girl, I considered all of that, and determined that I'd rather try to get a voice that fit my self-understanding, even if it meant I could possibly never sing well again.  Even if it meant I might not be able to even sing or speak at all again.  Even if it meant I might die. That was a risk I was willing to take, rather than live with this voice.  But why?

Because there's no representation.  There are no girls out there like me, being shown in a positive light, speaking with their deeper voices.  Girls who have cellos for violins.

But now that I've seen some representation, and I look at everything I say I'm trying to accomplish here, I feel like I almost have a responsibility to NOT get VFS.  To keep carrying out my mission of living out loud as much as I can, of promoting myself into every possible space, of becoming everyone's trans neighbor that they know and love, or at least don't hate.  To show everyone that it's okay to have a voice like this and be a girl, because I'm a girl, and I have a voice like this, and look at me, out there, living life.

While I was mulling all of this over, I messaged a friend that I met through school, another Cornish grad who works professionally now as a musician in Seattle.  I asked him about an event going on tomorrow, downtown, and we started talking about similar concepts for the future.  I mentioned wanting to cover a whole Radiohead album, because Thom Yorke is an absolute genius, and I love, love, love singing along with him.  My friend, Tristan, said he'd always wanted to cover The Cranberries' first album.


It wasn't long before he asked me to send him a demo.  I froze.  I was terrified.  But I mean, come on.  I had literally just told him that I could do this.  And then he asked, and I was like, Jesus Christ, are you serious?  He said, "send me a video of you singing dreams, maybe just the vocal thing after the first chorus when it changes keys."  In case you don't remember, he's talking about this part, which I'd completely forgotten about when I told him I could probably sing it.

Merde.

I listened to it through a few times to try to remember how it went, the pacing and cadence, the breaks in and out of falsetto.  I had no real warm-ups.  I had not really been doing anything for my vocal health or readiness all day besides drinking my requisite daily fuckton of water, and sitting here in relative silence.  But then I went ahead and tried anyway.


I still can't believe I sent this to him.  In my goddamn pajamas, no shave, no makeup, and no backing music.  Solo vocal covers of existing songs that have supporting instrumentation always sound weird as shit to me.  Then I sat around for a few minutes trying to pre-emptively console myself.  This guy had just graduated Cornish, which has two very prestigious voice programs; one for classical, and one for jazz.  And he had literally just said that he needed "a fucking good singer" to pull this off.  And I briefly was a fucking good singer, I thought.  For a guy.  When I was in practice.

But I'm no Dolores O'Riordan.  Just like I'm no Kimbra, I'm no Imogen Heap... none of the artists I feel like I ought to sound like, in my own head.

Anyway, he watched the video, and it sounds like he wants to put it together with me and see if we can't pull it off.

So, for now.  Um.  I guess I'll start trying to sing more, to sing like I used to.  More seriously, with warm-ups.  With less shame about the fact that I sound, to myself, like a guy.  I sound like Jason.  But maybe that's not true.  Maybe Jason just always sounded like Sera.